‘People love me. And you know what, I have been very successful. Everybody loves me.’ –Donald Trump
In Plato’s dialogue Symposium, seven varied speeches are made on the meaning of love at an all-male drinking party set in ancient Athens in 416 BCE. One of the participants is the philosopher Socrates, and when it comes to his turn to speak, he is made to say something surprising: he proposes to ‘tell the truth’ about love. It’s surprising because in other Platonic dialogues, where Socrates addresses questions such as ‘What is knowledge?’, ‘What is excellence?’, and ‘What is courage?’, he has no positive answers to give about these central areas of human thought and experience: in fact, Socrates was well known for having laid no claim to knowledge, and for asserting that ‘the only thing I know is that I do not know’. How is it, then, that Socrates can claim to know the truth about something as fundamental and potentially all-encompassing as love?
The answer is that, in the Symposium, Socrates claims to know the truth only because he learned it from someone else. […]
The doctrine Socrates attributes to Diotima in the Symposium is that love – or, more precisely, the divine spirit Eros – operates on various levels. At the lowest level, love engenders erotic feelings towards the body of someone to whom one is attracted. However, what attracts us about that body is, Diotima says, a quality that we call its ‘beauty’, which in turn leads to a recognition that many other bodies possess this quality and are equally capable of inspiring erotic feelings. By recognising the presence of beauty in many bodies, one comes to understand that what is attractive to us is not the bodies themselves, but the abstract quality of beauty of which the bodies partake. […]
according to Diotima, the commonplace erotic desire that we feel towards a person we consider to be beautiful can lead us up the ‘ladder’ of love, rung by rung, ascending from the particular object of desire to a general appreciation of the abstract quality of beauty and, beyond that, to moral goodness. What begins as physical lust is ennobled by the way it encourages the lover to mount upwards to the highest goodness imaginable, the abstract ‘form of the good’.