media

A skiddleebebop, we rock, scooby doo, and guess what, America, we love you

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The Many Reasons to Run for President When You Probably Don’t Stand a Chance

• There are book deals and TV contracts and maybe a cabinet position if your side wins.
• Recent history suggests there is almost no downside to giving it a shot.

{ NY Times | full story }

stills { One Got Fat, 1963 | bicycle safety film }

I’ll show you how to sneak up on the roof of the drugstore

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[I]t is getting harder to target gamers via traditional advertising techniques, because an increasing number of consumers spend more of their digital days behind paywalls, where there is often no advertising. These are also typically the most engaged and most-spending audiences.

To win some of the attention back, games companies must target gamers behind paywalls, be it through product placement or original content on video streaming services or podcasts and playlists on music services.

{ MIDIA | Continue reading }

Fuck your white horse and a carriage

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Advertising is ubiquitous in modern life. Yet might it be harmful to the happiness of nations? This paper blends longitudinal data on advertising with large-scale surveys on citizens’ well-being. The analysis uses information on approximately 1 million randomly sampled European citizens across 27 nations over 3 decades. We show that increases in national advertising expenditure are followed by significant declines in levels of life satisfaction.

{ University of Warwick | PDF }

photo { Joel Meyerowitz, New York City, 1968 }

‘It is only as an aesthetic phenomenon that life and existence are eternally justified.’ —Nietzsche

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Given that the fictional narratives found in novels, movies, and television shows enjoy wide public consumption, memorably convey information, minimize counter-arguing, and often emphasize politically-relevant themes, we argue that greater scholarly attention must be paid to theorizing and measuring how fiction affects political attitudes.

We argue for a genre-based approach for studying fiction effects, and apply it to the popular dystopian genre.

Results across three experiments are striking: we find consistent evidence that dystopian narratives enhance the willingness to justify radical—especially violent—forms of political action. […]

Our research not only reinforces past work showing that people often fail to distinguish between fact and fiction in learning about the world, but also illustrates that the lessons of fiction may not be what they seem. […] Rather than creating political cynicism in readers and viewers or showing them that girls can be powerful too—both lessons that are at this point probably amply supplied by the American news media and lived experience—dystopian fiction seems to be teaching them a more subtle and perhaps more concerning message: that violence and illegal activities may be both legitimate and necessary to pursue justice. Dystopian fiction appears to subtly expand the political imagination of viewers and readers to encompass a range of scenarios outside the normal realm of democratic politics, and what people then consider reasonable and thinkable appears to expand accordingly.

These results should also highlight the peril for political scientists in assuming that fiction is just entertainment. The stories we tell ourselves have profound implications for how we think about political ethics and political possibilities, and as scholars of politics, we can and should do more to map out the effects of politically-inflected fiction and entertainment.

{ Cambridge Core | Continue reading }

still { Harriet Andersson in Ingmar Bergman’s Summer with Monika, 1953 }

that bomb shit burning, we smoking

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{ Caper magazine, May 1959 | Enlarge }

Beyond that road lies despair

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The iconic green slime of the Canadian television series You Can’t Do That on Television was developed by accident, according to producer Roger Price — the original idea had been to dump a barrel of food leftovers on a young boy chained in a dungeon, but before it could be used, the contents of the barrel had turned green with mold.

The noxious mixture was dumped on the young boy anyway, and overnight the series had its trademark gag. The show subsequently went through several different slime recipes incorporating ingredients such as lime gelatin dessert powder, flour, oatmeal or Cream of Wheat, baby shampoo, and even cottage cheese (not all necessarily at the same time).

On the show (and subsequently on Nickelodeon since then), the composition of the slime was treated as a closely guarded secret, and some episodes revolved around the cast members trying to discern what the slime was made of.

{ Wikipedia | Continue reading | Thanks Tim }

‘Just basic memory functions and also just the level of norepinephrine and the epinephrine in the brain that as you know encodes that neurotransmitter that codes memories into the hippocampus and so the trauma-related experience is locked there, whereas other details kind of drift.’ –Dr. Christine Blasey Ford

30 years ago, Spy magazine sent “refund” checks for $1.11 to 58 rich people.

The 26 who cashed those got another check, for $.64.

The 13 who cashed those each got a check for $.13.

Two people cashed the $.13 checks—Donald Trump and Jamal Khashoggi’s arms-dealer uncle Annan.

{ Kurt Andersen | Spy, July, 1990 p. 84 + full issue }

The best way to avoid cocaine overdose is to not do cocaine at all

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In 2016, the technology startup VidAngel offered a movie streaming service that empowered users to mute potentially offensive audio and cut potentially offensive video from Hollywood films. Copyright litigation forced VidAngel’s service offline in December of that year. But, in the preceding eleven-and-a-half months, VidAngel managed to transmit roughly four million filtered streams and, for each of them, to record not only which filters were applied, but also how many minutes of the resulting film each user then watched.

[W]e use the VidAngel data to study the market for filtered motion picture content. Among our findings are that video filters are primarily used to filter scenes involving intimacy, rather than those related to violence; and that, while the most common filtered audio is the word “f*ck,” users are even more likely to mute the words “Christ” and “dink.”

{ UCLA School of Law, Law and Economics Research Paper Series | Continue reading }

You know I hopped into my car, didn’t get very far

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On Thursday, AT&T unveiled a service called WatchTV, a “skinny bundle” of 31 television channels, many of them under AT&T’s control after the Time Warner merger, as well as on-demand content from those channels. Subscribers to AT&T’s two new unlimited data plans get WatchTV for free, and the pricier plan includes HBO, the crown jewel of the Time Warner merger. Non-AT&T customers who want WatchTV can get it for $15 per month—but without access to John Oliver and Silicon Valley, which would cost another $15 through HBO Now. […]

Growth through acquisition is how Google and Facebook became so dominant in their respective markets. Facebook has a tool called Onavo that identifies the user bases of rival social networks so it can buy them up if they start to take off. Google bought its ad network by acquiring Doubleclick, AdMob, and other firms.

{ New Republic | Continue reading }

Time to rebuild the

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Across four experiments participants chose between two versions of a stimulus which either had an attractive left side or an attractive right side. […]

In each experiment participants showed a significant bias to choose the stimulus with an attractive left side more than the stimulus with an attractive right side. The leftward bias emerged at age 10/11, was not caused by a systematic asymmetry in the perception of colourfulness or complexity, and was stronger when the difference in attractiveness between the left and right sides was larger.

The results are relevant to the aesthetics of product and packaging design and show that leftward biases extend to the perceptual judgement of everyday items. Possible causes of the leftward bias for attractiveness judgements are discussed and it is suggested that the size of the bias may not be a measure of the degree of hemispheric specialization.

{ Laterality | Continue reading }

art { Adrian Piper, Catalysis III, 1970 }

There’ll be no more high, but you may feel a little sick

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no master how mustered, mind never mend

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Brothers Vincenzo and Giacomo Barbato named their clothing brand “Steve Jobs” in 2012 after learning that Apple had not trademarked his name. […]

The Barbatos designed a logo that resembles Apple’s own, choosing the letter “J” with a bite taken out of the side. Apple, of course, sued the two brothers for using Jobs’ name and a logo that mimics the Apple logo. In 2014, the European Union’s Intellectual Property Office ruled in favor of the Barbatos and rejected Apple’s trademark opposition. […]

While the Barbatos currently produce bags, t-shirts, jeans, and other clothing and fashion items […] they plan to produce electronic devices under the Steve Jobs brand.

{ Mac Rumors | Continue reading }

art { Left: Ellsworth Kelly, Nine Squares, 1977 | Right: Damien Hirst, Myristyl Acetate, 2005 }