the friends to the family were outraged, and sued

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Inside, Mr. Pierrat found a literary treasure trove: long-lost manuscripts by Louis-Ferdinand Céline, the acclaimed but equally reviled French author who wrote classics like “Journey to the End of the Night,” published in 1932, as well as virulently antisemitic tracts. […] Céline always maintained that the manuscripts had been stolen from his Paris apartment after he escaped to Germany in 1944, fearing that he would be punished as a collaborator when the Allies liberated the city. […] David Alliot, a literary researcher, said the issue for many French was that while Céline was a “literary genius,” he was a deeply flawed human being. […]

Mr. Thibaudat said he was given the manuscripts by an undisclosed benefactor, or benefactors — he declined to elaborate — about 15 years ago. But he had kept the stash secret, waiting for Céline’s widow to die, at the request of the benefactor, whose wish was that an “antisemitic family” would not profit from the trove, he said in an interview. […]

the manuscripts includes the complete version of the novel “Casse-pipe,” partly published in 1949, and a previously unknown novel titled “Londres” […]

With his lawyer by his side, Mr. Thibaudat met Céline’s heirs in June 2020. It did not go well. Mr. Thibaudat suggested that the manuscripts be given to a public institution to make them accessible to researchers. François Gibault, 89, and Véronique Chovin, 69, the heirs to Céline’s work through their connections as friends to the family, were outraged, and sued Mr. Thibaudat, demanding compensation for years of lost revenues.

“Fifteen years of non-exploitation of such books is worth millions of euros,” said Jérémie Assous, the lawyer and longtime friend of Céline’s heirs. “He’s not protecting his source, he’s protecting a thief.”

In July, Mr. Thibaudat finally handed over the manuscripts on the orders of prosecutors. During a four-hour interview with the police, Mr. Thibaudat refused to name his source. The investigation is continuing.

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