photogs

She had a floppy head of marshmallow orange curls like a muppet, and she had this allover soft—but not fat—body

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quote & photo { Chelsea G. Summers }

‘Anaxagoras agrees with Leucippus and Democritus that the elements are infinite.’ –Aristotle

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New theories suggest the big bang was not the beginning, and that we may live in the past of a parallel universe.

[…]

Time’s arrow may in a sense move in two directions, although any observer can only see and experience one.

{ Scientific American | Continue reading }

photo { Tania Shcheglova and Roman Noven }

The biggest bias of all is thinking you’re unbiased

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{ Why Women Buy Magazines that Promote Impossible Body Images }

photo { Guy Sargent }

‘What is good is easy to get, and what is terrible is easy to endure.’ –Epicurus

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{ Ad for Blow-Up, 1966 | more }

First principle, Clarice. Simplicity.

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There seems to be wide support for the idea that we are living in an “age of complexity,” which implies that the world has never been more intricate. This idea is based on the rapid pace of technological changes, and the vast amount of information that we are generating (the two are related). Yet consider that philosophers like Leibniz (17th century) and Diderot (18th century) were already complaining about information overload. The “horrible mass of books” they referred to may have represented only a tiny portion of what we know today, but much of what we know today will be equally insignificant to future generations.

In any event, the relative complexity of different eras is of little matter to the person who is simply struggling to cope with it in everyday life. So perhaps the right question is not “Is this era more complex?” but “Why are some people more able to manage complexity?” Although complexity is context-dependent, it is also determined by a person’s disposition. In particular, there are three key psychological qualities that enhance our ability to manage complexity:

1. […] higher levels of IQ enable people to learn and solve novel problems faster […]

2. […] individuals with higher EQ [emotional quotient] are less susceptible to stress and anxiety […]

3. […] People with higher CQ [curiosity quotient] are more inquisitive and open to new experiences […] they are generally more tolerant of ambiguity.
 
{ Harvard Business Review | Continue reading }

photo { Never before seen Corinne Day shots }

‘The more numerous the laws, the more corrupt the government.’ —Tacitus

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[T]he Office will refuse to register a claim if it determines that a human being did not create the work. […]

[T]he Office cannot register a work purportedly created by divine or supernatural beings. […]

A musical work created solely by an animal would not be registrable, such as a bird song or whale song. Likewise, music generated entirely by a mechanical or an automated process is not copyrightable. […]

To qualify as a work of authorship a choreographic work must be created by a human being and it must be intended for execution by humans. Dances performed or intended to be performed by animals, machines, or other animate or inanimate objects are not copyrightable and cannot be registered with the U.S. Copyright Office.

{ U.S. Copyright Office /Popular Science | Continue reading }

‘For I know the plans I have for you,’ declares the Lord.

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Using data from an online hotel reservation site, the authors jointly examine consumers’ quality choice decision at the time of purchase and subsequent satisfaction with the hotel stay.

They identify three circumstantial variables at the time of purchase that are likely to influence both the choice decisions and the postpurchase satisfaction: the time gap between purchase and consumption, distance between purchase and consumption, and time of purchase (business/nonbusiness hours).

The authors incorporate these three circumstantial variables into a formal two-stage economic model and find that consumers who travel farther and make reservations during business hours are more likely to select higher-quality hotels but are less satisfied.

{ JAMA | Continue reading }

photo { Philip Lorca-diCorcia, Roy, ‘in his 20s’, Los Angeles, California, $50 (Hustlers series), 1990-1992 }

‘Divide each difficulty into as many parts as is feasible and necessary to resolve it.’ –Descartes

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Everybody knows that real blurry photos can’t be made sharp after the fact. But that’s exactly the premise of the new Illum camera from a startup called Lytro.

Instead of snapping a solitary image, the Illum captures a whole moment—known as the light field—so you can change focus and shift perspective after you’ve taken the shot.

Just by clicking around a screen, the viewer can focus on a birthday cake candle, the person blowing it out, or partygoers in the background.

{ WSJ | Continue reading }

art { Gerhard Richter, Frau Niepenberg, 1965 }

Narcissists can feel empathy, research finds

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Those parents at the park taking all those photos are actually paying less attention to the moment, she says, because they’re focused on the act of taking the photo.

“Then they’ve got a thousand photos, and then they just dump the photos somewhere and don’t really look at them very much, ’cause it’s too difficult to tag them and organize them,” says Maryanne Garry, a psychology professor at the Victoria University of Wellington in New Zealand. […]

Henkel, who researches human memory at Fairfield University in Connecticut, found what she called a “photo-taking impairment effect.”

“The objects that they had taken photos of — they actually remembered fewer of them, and remembered fewer details about those objects. Like, how was this statue’s hands positioned, or what was this statue wearing on its head. They remembered fewer of the details if they took photos of them, rather than if they had just looked at them,” she says.

Henkel says her students’ memories were impaired because relying on an external memory aid means you subconsciously count on the camera to remember the details for you.

{ NPR | Continue reading }

photo { Florian Maier-Aichen, Untitled (Cloud), 2001 }

People perceive religious and moral iconography in ambiguous objects, ranging from grilled cheese to bird feces

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While both tourism research and photography research have grown into substantial academic disciplines, little has been written about their point of intersection: tourist photography. In this paper, I argue that a number of philosophically oriented theories of photography may offer useful perspectives on tourist photography. […]

When I was observing photographing tourists on the Pont Neuf and in the Jardin des Tuileries in Paris, one of the things that struck me was the fact that some tourists, when they came across a sculpture, first took a picture of it, and only started looking after the picture had been taken. Perhaps Sontag is right to argue that the production of pictures serves to appease the tourist’s anxiety about not working; in any case, this type of predatory photographic behavior promotes the accumulation of images to a goal in itself rather than a means to produce meaning or memories.

{ Dennis Schep/Depth of Field | Continue reading }

When I wake up in the afternoon, which it pleases me to do

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What do you want to hear first: Good news or bad news?

Our answer to this question is different depending on whether we’re the one delivering the news or we’re the one receiving the news.

{ Jeremiah Stanghini | Continue reading }

photo { Anna Grzelewska }

Ask Lictor Hackett or Lector Reade of Garda Growley

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The exhibition that stands out for me is Horst Ademeit at the Hamburger Bahnhof – Museum für Gegenwart in Berlin, 2011. In a small, often overlooked area of the museum was an overwhelming amount of meticulously ordered material by an artist I’d never heard of before. After being rejected by his parents, his wife, his school, and even his teacher – Joseph Beuys – Ademeit abandoned drawing and painting for photography and writing. He shot more than 6,000 Polaroids in isolation over a 14-year period, which engulfed the room.

In the margins of the Polaroids, and in seemingly endless calendars and booklets, he handwrote notations at a scale that borders on indecipherable. He was studying the impact of cold rays, earth rays, electromagnetic waves and other forms of radiation on his health and safety. He protected himself with magnets and herbs from what he perceived to be dangerous invisible forces, while obsessively creating this trove of records and evidence.

{ Taryn Simon/Guardian | Galerie SuSanne Zander }