l.a. pros and cons

Percentages are reversible. 2% of 14 is the same as 14% of 2.

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{ Tod Papageorge, “The Beaches, Los Angeles” 1979 - 1982 | more }

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{ In the summers of 1983 and 1984, Tod Papageorge, a professor of photography at the Yale University School of Art, adopted a daily ritual in Athens. He would wake up each morning at the Zafolia Hotel and walk up the hill to the Acropolis to spend the day photographing the scene around the ancient citadel, sweating in the sun. | Tod Papageorge, The Acropolis }

If you see me in the club, nothin’ but Cris poppin’

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California Gov. Gavin Newsom on Friday revealed the most expensive budget in state history — a $227 billion spending plan highlighted by a $15 billion one-time surplus. How is it possible? […]

The Democratic governor and state lawmakers passed a budget last year with deep spending cuts to cover what they expected to be a $54.3 billion pandemic-induced shortfall. That estimate was wrong, as the recession was not as deep as they had anticipated […]

job losses have been concentrated among low-wage workers, who pay relatively little taxes […] wealthy residents have continued to make money and pay taxes, leading to much greater tax collections than officials predicted in early summer. 

{ AP | Cal Matters }

photo { Sheron Rupp, Mansfiled, OH, 2001-2002 }

Into the eternal darkness, into fire and into ice

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US actor Ashton Kutcher testified in an LA courtroom that he called on a young woman’s home for a date in 2001, not realising she lay dead inside.

When the woman, Ashley Ellerin, did not answer the door, Mr Kutcher said he looked in her window and saw what he thought were wine stains on the floor. […]

Prosecutors allege Ellerin was slain by “Hollywood Ripper”, Michael Gargiulo.

{ BBC | Continue reading }

photo { Stephen Shore, Grand Canyon, June 1972 }

‘Nous sommes dans l’inconcevable, mais avec des repères éblouissants.’ —René Char

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Someone Completely Demolished Trump’s Hollywood Star with a Pickax

The defender must build a perfect wall to keep out all intruders, while the offense need find only one chink in the armor through which to attack

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The air-support division of the Los Angeles Police Department operates out of a labyrinthine building on Ramirez Street in the city’s downtown, near the Los Angeles River. […]

The division began with a single helicopter in 1956, and it now has 19 in all, augmented by a King Air fixed-wing plane. The aircrews operate in a state of constant readiness, with at least two helicopters in flight at any given time for 21 hours of every day. A ground crew is suited up and on call for the remaining three, between 5 a.m. and 8 a.m. On weekends, considered peak hours, the number of airborne helicopters goes up to three, although in a crisis the division might send as many as four or five “ships” up at once. […]

The heavily restricted airspace around Los Angeles International Airport, Burdette pointed out, has transformed the surrounding area into a well-known hiding spot for criminals trying to flee by car. Los Angeles police helicopters cannot always approach the airport because of air-traffic-control safety concerns. Indeed, all those planes, with their otherwise-invisible approach patterns across the Southern California sky, have come to exert a kind of sculptural effect on local crimes across the city: Their lines of flight limit the effectiveness of police helicopter patrols and thus alter the preferred getaway routes.

{ NY Times | Continue reading }

painting { Michael Chow }

If you’re so funny then why are you on your own tonight?

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photos { Anthony Hernandez }

Driver Take Me to O’Block

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After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. […] That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind.

{ No Film School | Continue reading }

Wait, my love, and I’ll be with you

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{ EB Hughes, from a men’s room bar in LA }

Who on Earth could that be?

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{ Mannequins from the Korova Milkbar set of A Clockwork Orange, 1971 at LACMA, until June 30 | 2 }

The bulging eyes and the twisted mouth

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This January, a 21-year-old Canadian tourist named Elisa Lam disappeared while visiting Los Angeles. Lam was last seen at the Cecil Hotel in downtown Los Angeles, where she had been staying. Tuesday, her body was found at the bottom of one of the hotel’s rooftop water tanks. […]

The hotel’s guests were horrified at the news. […] But anyone familiar with Los Angeles’s history couldn’t have been too surprised. Downtown LA has long been seedy, and somewhat dangerous; the Cecil Hotel, for its part, has a long and sordid criminal history [Austrian serial killer Jack Unterweger stayed at the Cecil Hotel for five weeks in 1991 while murdering prositutes].

{ Slate }

related/video { Surveillance video of Elisa Lam shows bizarre behavior }

It is a colossal edifice, with crystal roof built in the shape of a huge pork kidney

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As a gateway to the city, Los Angeles International Airport could hardly be more dispiriting. A jumble of mismatched, outdated terminals, LAX gives visitors a resounding first impression of civic dysfunction.

The city, which owns the airport, has tried several times to remake LAX. The latest attempt is a master plan by Fentress Architects, which is also designing the nearly $2-billion Tom Bradley International Terminal.

But the truth is that the airport’s biggest liability is not simply architectural. Somehow Los Angeles built a major rail route, the Green Line, past LAX 20 years ago without adding a stop at the airport.

And guess what? We are about to build another light-rail route — this time the $1.7-billion Crenshaw Line — near the airport and make precisely the same mistake again.

{ LA Times | Continue reading }

photo { Garry Winogrand }

She made me cry, she done me wrong, she hurt my eyes open

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From an office on Sunset Boulevard, a dapper 69-year-old has emerged as a go-to guy for musicians and songwriters looking for quick cash.

His name is Parviz Omidvar, and over the past two decades, he has been lending to artists and securing those debts with royalty payments his clients earn from their work. Michael Jackson was a customer, as is the son of late Motown legend Marvin Gaye. Omidvar’s website carries an old testimonial from Rock and Roll Hall of Fame member Bobby Womack: “Thank you so much for always being there for me.”

Today, Womack is suing Omidvar for fraud. He alleges the financier tricked him into selling for $40,000 full control of a royalty stream that annually pays many times that amount on Womack-penned hits, including blaxploitation classic “Across 110th Street” and “It’s All Over Now,” the first U.S. No. 1 record for the Rolling Stones. Womack’s lawyer says the 68-year-old musician was misled into signing the deal in April last year, when he was incapacitated by painkillers following prostate cancer surgery.

Omidvar calls Womack’s claim “a simple case of buyer’s remorse.” Womack understood he was selling his royalties, and his allegations are “a complete lie,” Omidvar says.

Omidvar’s quick cash can come at a steep price. Reuters found scores of loans with interest rates ranging from 1.5 to 2.5 percent every 10 to 15 days - annualized rates potentially ranging from 43 percent to 81 percent.

{ Reuters | Continue reading }

The delegation, present in full force, consisted of Commendatore Bacibaci Beninobenone (the semi-paralysed doyen of the party who had to be assisted to his seat by the aid of a powerful steam crane), the Archjoker Leopold Rudolph von Schwanzenbad-Hodenthaler, Countess Marha Virdga Kisászony Putrápesthi…

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Fallout continues from the MOCA board’s removal of chief curator Paul Schimmel.

“Jeffrey has always been supportive of my work, but I don’t understand the direction he’s taking the museum right now,” McCarthy said. “I see it as placating the populace. It’s not really what art’s about, but a ratings game.”

Among those in Deitch’s corner is Shepard Fairey, an art star of a younger generation, especially since he designed the “Hope” poster that became the unofficial image of Barack Obama’s 2008 presidential campaign. (The design firm Fairey founded, Studio One, is now handling much of MOCA’s design work.)

In an email, Fairey, 42, praised Deitch’s “astute understanding of the interconnected nature of high and low art culture. When I say low, I don’t mean inferior.”

{ LA Times | Continue reading }

John Baldessari, citing Paul Schimmel’s ouster, becomes the fifth trustee to bolt since February.

{ LA Times | Continue reading }

threesome { Jeffrey Deitch, Yoko Ono, Jeff Koons }

You’re gonna have to grow up. There’s a war on.

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{ The True Story Of How A Ferrari Ended Up Buried In Someone’s Yard }

To repair the irreparable ravages of time

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{ Eighteenth Brumaire, a sculptural installation by Steven Bankhead | Steve Turner Contemporary, until October 8, 2011 }

Only love is real: A story of soulmates reunited

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‘No matter how cynical you become, it’s never enough to keep up.’ –Jane Wagner

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{ Death penalty costs California $184 million a year, study says. That’s more than $4 billion on capital punishment in California since it was reinstated in 1978, or about $308 million for each of the 13 executions carried out since then. | LA Times }

What we have is more sacred than a vow or a ring

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Consumers are hoping to cash in on last week’s state Supreme Court ruling that it’s illegal for retailers to ask customers for their ZIP Codes during credit card transactions, except in limited cases.

More than a dozen new lawsuits have been filed against major chains that do business in California, including Wal-Mart Stores Inc., Bed Bath & Beyond Inc., Crate & Barrel and Victoria’s Secret. More filings are expected in the coming weeks.

The flurry of litigation stems from a decision last week against Williams-Sonoma Inc. in which the state high court ruled unanimously that ZIP Codes were “personal identification information” that merchants can’t demand from customers under a California consumer privacy law.

{ LA Times | Continue reading }

painting { Balthus, The Street, 1933 }

‘Donc défaire la ressemblance ça a toujours appartenu à l’acte de peindre.’ –Deleuze

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{ I came out the door the other day to find this girl sitting on my steps smoking a joint with a friend. She apologized for smoking there and I said there was no problem until there was a problem which she seemed to like. I told her I liked her tattoos and asked if I could take her picture. She seemed flattered. While photographing her I asked how the LAPD liked her tattoos and she said “Yeah…they like to photograph them too.” | Tracy photographed by Stephen Zeigler }

They’re wounded but they just keep on climbin’, and they sleep by the side of the road

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A long-time Hollywood publicist was fatally shot inside her Mercedes-Benz, which then crashed into a light pole in Beverly Hills. Ronni Chasen, 64, was shot five times in the chest around 12:30 a.m. near Whittier Drive and Sunset Boulevard, according to Beverly Hills police.

Officers responding to the scene found Chasen’s black, late-model E-350 sedan crashed into a light pole on Whittier just south of Sunset. Chasen was taken to Cedars-Sinal Medical Center, where she was pronounced dead, according to the coroner’s office.

Police said they had no information about a suspect or motive for the shooting.

Chasen, the former senior vice president of worldwide publicity at MGM, was a well-known figure in Hollywood film and publicity circles. (…)

Chasen’s death was the third homicide this year in Beverly Hills.

{ Fox | Continue reading }

photo { On May 1, 1947, Evelyn McHale leapt to her death from the observation deck of the Empire State Building. Photographer Robert Wiles took a photo of McHale a few minutes after her death. }