nswd

ideas

If everyone says I am right then who is wrong

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We have all had arguments. Occasionally these reach an agreed upon conclusion but usually the parties involved either agree to disagree or end up thinking the other party hopelessly stupid, ignorant or irrationally stubborn. Very rarely do people consider the possibility that it is they who are ignorant, stupid, irrational or stubborn even when they have good reason to believe that the other party is at least as intelligent or educated as themselves.

Sometimes the argument was about something factual where the facts could be easily checked e.g. who won a certain football match in 1966.

Sometimes the facts aren’t so easily checked because they are difficult to understand but the problem is clear and objective. (…)

Sometimes the facts aren’t as mathematical or logical as the Monty Hall solution. Each party to the argument appeals to ‘facts’ which the other party disputes. (…)

Sometimes the arguments boil down to differences in values. For example, what tastes better chocolate or vanilla ice cream, or who is prettier Jane or Mary? In these cases there isn’t really a correct answer – even when a large majority favors a particular alternative. Values also have a strong way of influencing what people accept as evidence or indeed what they perceive at all.

The interesting thing is that when the disagreement isn’t a pure values difference it should always be possible to reach agreement.

{ Garth Zietsman | Continue reading }

But all things excellent are as difficult as they are rare

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New support for the value of fiction is arriving from an unexpected quarter: neuroscience.

Brain scans are revealing what happens in our heads when we read a detailed description, an evocative metaphor or an emotional exchange between characters. Stories, this research is showing, stimulate the brain and even change how we act in life.

Researchers have long known that the “classical” language regions, like Broca’s area and Wernicke’s area, are involved in how the brain interprets written words. What scientists have come to realize in the last few years is that narratives activate many other parts of our brains as well, suggesting why the experience of reading can feel so alive. Words like “lavender,” “cinnamon” and “soap,” for example, elicit a response not only from the language-processing areas of our brains, but also those devoted to dealing with smells. (…)

Researchers have discovered that words describing motion also stimulate regions of the brain distinct from language-processing areas. (…)

The brain, it seems, does not make much of a distinction between reading about an experience and encountering it in real life; in each case, the same neurological regions are stimulated. (…) Fiction — with its redolent details, imaginative metaphors and attentive descriptions of people and their actions — offers an especially rich replica. Indeed, in one respect novels go beyond simulating reality to give readers an experience unavailable off the page: the opportunity to enter fully into other people’s thoughts and feelings. (…) Scientists call this capacity of the brain to construct a map of other people’s intentions “theory of mind.” Narratives offer a unique opportunity to engage this capacity, as we identify with characters’ longings and frustrations, guess at their hidden motives and track their encounters with friends and enemies, neighbors and lovers. (…)

Reading great literature, it has long been averred, enlarges and improves us as human beings. Brain science shows this claim is truer than we imagined.

{ NYT | Continue reading }

You’ll worry less about what people think about you when you realize how seldom they do

Wallace had been taking Nardil for his depression since 1989. Nardil is a monoamine oxidase inhibitor, or MAOI, a member of the earliest generation of antidepressants; newer drugs are usually not only more effective against the illness but also less likely to cause collateral damage. In 2007 Wallace was a happy man, writing, married since 2004, for the first time, to the artist Karen Green, and teaching at Pomona College, one of the distinguished Claremont Colleges, where he had an endowed professorial chair that gave him pretty much free rein. After dinner at a Persian restaurant in Claremont one evening, he developed excruciating stomach pains that lasted several days. His doctor suspected a dire food interaction with Nardil, and suggested Wallace go off that outdated medication and try something newer. Wallace had already suspected for several months that Nardil was impeding the flow of The Pale King—though it evidently had not interfered with Infinite Jest—so the idea sounded promising. But then Wallace tried doing without any medication at all, and he landed in the hospital in the fall of 2007. After that he went on one drug after another but never really gave any of them the chance to be effective. Not wanting to foul his home, he tried suicide by overdose in a nearby motel, but survived. A course of twelve electroconvulsive treatments failed to work. He went back on Nardil; it did not kick in quickly enough. Not caring any more what he fouled, on September 12, 2008, he waited for his wife to leave for her gallery, wrote her a two-page note, and hanged himself on the patio of their Claremont home. He left a neat stack of manuscript pages in his garage office for his wife to find.

{ The Claremont Institute | Continue reading }

‘By three methods we may learn wisdom: First, by reflection, which is noblest; second, by imitation, which is easiest; and third, by experience, which is the bitterest.’ –Confucius

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The treatment of addiction and dependence on, and misuse of, alcohol and other drugs is one of the largest unmet needs in medicine today, so the development of new treatments is a pressing need. However, we have seen the development and use of different terminologies for different drug addictions, which confuses prescribers, users and regulators alike. Here we try to clarify terminology of treatment models based on the pharmacology of treatment agents. This editorial covers all drugs that are used for their pleasurable effects and which therefore can lead to harmful/hazardous use, dependence and addiction. These include nicotine, alcohol and abused prescription drugs such as benzodiazepines, as well as opioids and stimulants.

{ SAGE | Continue reading }

‘I have no enemies. But my friends don’t like me.’ –Philip Larkin

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It is well known that in theory and in reality people cooperate more when then expect to interact over more repetitions, and when they care more about the future.

{ Overcoming Bias | Continue reading }

unrelated { Self-Piercing at Thailand Vegetarian Festival }

‘Our mind is determined to wish this or that by a cause, which has also been determined by another cause, and this last by another cause, and so on to infinity.’ –Spinoza

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Is it important to society that the public believes in free will even if learned scientists and philosophers do not?

{ Janet Kwasniak | Continue reading }

photo { Emma Hardy }

‘I prefer tongue-tied knowledge to ignorant loquacity.’ –Cicero

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Research has demonstrated that the most popular and most trusted US news network may actually leave viewers both less informed and even more misinformed than people who watch no TV news at all.

{ Neurobonkers | Continue reading }

Nurse Ratched: The best thing we can do is go on with our daily routine.

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Some activists and theorists in the field of gender and sexuality have partly or wholly abandoned the designation LGBT (lesbian, gay, bisexual and transgender) and instead write and organise under the banner of “queer.” Queer theory and politics originated in the 1990s and continue to be influential today. Many books are written from this perspective, and they inform university courses—Leeds University, for example, offers an MA in Gender, Sexuality and Queer Theory. More importantly, many of the most radical LGBT people identify as queer and adopt this approach to political organising: the last year, for example, has seen the establishment in London of UK Uncut-style group Queer Resistance, and of the trade unionist group Queers Against the Cuts. This article traces the development of queer theory and politics, and assesses their claim to provide a radical alternative to what they see as the LGBT mainstream.

{ International Socialism | Continue reading }

artwork { Richard Prince }

I am so booking the Hilton for next year like, today

‘I don’t see Airbnb being a sustainable business in the long run.’ Pause ‘Want to go to their party later?’

{ Overheard at SXSW | Continue reading }

related { SXSW 2012: Design from the Gut: Dangerous or Differentiator? }

Pro tip: Drug dealers don’t carry pens to check counterfeit bills.

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Phenomenology is commonly understood in either of two ways: as a disciplinary field in philosophy, or as a movement in the history of philosophy.

The discipline of phenomenology may be defined initially as the study of structures of experience, or consciousness. Literally, phenomenology is the study of “phenomena”: appearances of things, or things as they appear in our experience, or the ways we experience things, thus the meanings things have in our experience. Phenomenology studies conscious experience as experienced from the subjective or first person point of view. This field of philosophy is then to be distinguished from, and related to, the other main fields of philosophy: ontology (the study of being or what is), epistemology (the study of knowledge), logic (the study of valid reasoning), ethics (the study of right and wrong action), etc.

The historical movement of phenomenology is the philosophical tradition launched in the first half of the 20th century by Edmund Husserl, Martin Heidegger, Maurice Merleau-Ponty, Jean-Paul Sartre, et al. In that movement, the discipline of phenomenology was prized as the proper foundation of all philosophy — as opposed, say, to ethics or metaphysics or epistemology. The methods and characterization of the discipline were widely debated by Husserl and his successors, and these debates continue to the present day. (The definition of phenomenology offered above will thus be debatable, for example, by Heideggerians, but it remains the starting point in characterizing the discipline.)

{ Stanford Encyclopedia of Philosophy | Continue reading }

art { Andy Goldsworthy, Spire, 2008 }

A playwright is a person who writes plays. The term is not a variant spelling of ‘playwrite,’ but something quite distinct: the word wright is an archaic English term for a craftsman or builder.

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I wanted to slit my fucking wrists. Look at this world, it’s all so shallow. You want me to pay eighty bucks to listen to you bitch about your mother for two hours? I don’t think so.

{ J.T. Rogers, on the state of contemporary American theater | via Boston to Brooklyn }

photo { Tommy Malekoff }

The cosmos, then, became like a spherical form in this way

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As for the love of the Other, or, worse, the “recognition of the Other,” these are nothing but Christian confections. There is never “the Other” as such. There are projects of thought, or of actions, on the basis of which we distinguish between those who are friends, those who are enemies, and those who can be considered neutral. The question of knowing how to treat enemies or neutrals depends entirely on the project concerned, the thought that constitutes it, and the concrete circumstances (is the project in an escalating phase? is it very dangerous? etc.).

{ Alain Badiou/Cabinet | Continue reading }

Flou inn, flow ann

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Amazon isn’t just a distributor, it’s a hoping to be the major publisher of e-books. When Amazon buys ebooks for $13 wholesale and sells them for $10 retail, and its gargantuan size means it can keep up the practice indefinitely, the strategy isn’t just jarring publishers into adopting lower price points. Because Amazon offers writers a better royalty for publishing directly, its pricing strategy is aimed at squeezing publishers out of the equation entirely.

{ Barry Ritholtz | Continue reading }

You all been around here on a lot of bullshits

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In one experiment, the psychologists asked a group of Christian students to give their impressions of the personalities of two people. In all relevant respects, these two people were very similar – except one was a fellow Christian and the other Jewish. Under normal circumstances, participants showed no inclination to treat the two people differently. But if the students were first reminded of their mortality (e.g., by being asked to fill in a personality test that included questions about their attitude to their own death) then they were much more positive about their fellow Christian and more negative about the Jew.

The researchers behind this work – Sheldon Solomon, Jeff Greenberg and Tom Pyszczynski – were testing the hypothesis that most of what we do we do in order to protect us from the terror of death; what they call “Terror Management Theory.” Our sophisticated worldviews, they believe, exist primarily to convince us that we can defeat the Reaper. Therefore when he looms, scythe in hand, we cling all the more firmly to the shield of our beliefs.

This research, now spanning over 400 studies, shows what poets and philosophers have long known: that it is our struggle to defy death that gives shape to our civilization. (…)

The psychologists, psychiatrists and anthropologists who developed Terror Management Theory have shown that almost all ideologies, from patriotism to communism to celebrity culture, function similarly in shielding us from death’s approach. (…)

In one now classic secular example, the researchers recruited court judges from Tucson in the USA. Half of these judges were reminded of their mortality (again with the otherwise innocuous personality test) and half were not. They were then all asked to rule on a hypothetical case of prostitution similar to those they ruled on every day. The judges who had first been reminded of their mortality set a bond (the equivalent of bail) nine times higher than those who hadn’t (averaging $455 compared to $50).

So just like the Christians, they reacted to the thought of death by clinging more fiercely to their worldview.

{ New Humanist | Continue reading }

artwork { Lui Liu }

To the hip hip hop, you don’t stop

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‎One of the interesting things about success is that we think we know what it means. A lot of the time our ideas about what it would mean to live successfully are not our own. They’re sucked in from other people. And we also suck in messages from everything from the television to advertising to marketing, et cetera. These are hugely powerful forces that define what we want and how we view ourselves. What I want to argue for is not that we should give up on our ideas of success, but that we should make sure that they are our own. We should focus in on our ideas and make sure that we own them, that we’re truly the authors of our own ambitions. Because it’s bad enough not getting what you want, but it’s even worse to have an idea of what it is you want and find out at the end of the journey that it isn’t, in fact, what you wanted all along.

{ Alain de Botton | TED video | Thanks Tim }

photo { Simen Johan }

What are the reasons some people never make it to the second date?

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In the philosophy of religion, the problem of evil is the question of how to explain evil if there exists a deity that is omnibenevolent, omnipotent, and omniscient.

Some philosophers have claimed that the existences of such a god and of evil are logically incompatible or unlikely.

Attempts to resolve the question under these contexts have historically been one of the prime concerns of theodicy.

Some responses include the arguments that true free will cannot exist without the possibility of evil, that humans cannot understand God, that suffering is necessary for spiritual growth or evil is the consequence of a fallen world. Others contend that God is not omnibenevolent or omnipotent.

{ Wikipedia | Continue reading }

To him again: tell him he wears the rose of youth upon him

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Since when did being a writer become a career choice, with appropriate degree courses and pecking orders? Does this state of affairs make any difference to what gets written?

At school we were taught two opposing visions of the writer as artist. He might be a skilled craftsman bringing his talent to the service of the community, which rewarded him with recognition and possibly money. This, they told us, was the classical position, as might be found in the Greece of Sophocles, or Virgil’s Rome, or again in Pope’s Augustan Britain. Alternatively the writer might make his own life narrative into art, indifferent to the strictures and censure of society but admired by it precisely because of his refusal to kowtow. This was the Romantic position as it developed in the late eighteenth and nineteenth centuries. (…)

As we know, T.S. Eliot rather complicated matters by telling us that the writer had to overcome his personality and find his place in a literary tradition. (…)

Still, none of this prepared us for the advent of creative writing as a “career.” In the last thirty or forty years, the writer has become someone who works on a well-defined career track, like any other middle class professional, not, however, to become a craftsman serving the community, but to project an image of himself (partly through his writings, but also in dozens of other ways) as an artist who embodies the direction in which culture is headed.

{ NY Review of Books | Continue reading }

photo { Tennesse Williams by Richard Avedon }

related { The digitization of over five million books has created a huge dataset of cultural interest. Now researchers are beginning to tease it apart using powerful number-crunching techniques. | Culturomics and the Google Book Project }

I walked through the city limits, someone talked me in to do it

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Keith Chen, an economist from Yale, makes a startling claim in an unpublished working paper: people’s fiscal responsibility and healthy lifestyle choices depend in part on the grammar of their language.

Here’s the idea: Languages differ in the devices they offer to speakers who want to talk about the future. For some, like Spanish and Greek, you have to tack on a verb ending that explicitly marks future time—so, in Spanish, you would say escribo for the present tense (I write or I’m writing) and escribiré for the future tense (I will write). But other languages like Mandarin don’t require their verbs to be escorted by grammatical markers that convey future time—time is usually obvious from something else in the context. In Mandarin, you would say the equivalent of I write tomorrow, using the same verb form for both present and future.

Chen’s finding is that if you divide up a large number of the world’s languages into those that require a grammatical marker for future time and those that don’t, you see an interesting correlation: speakers of languages that force grammatical marking of the future have amassed a smaller retirement nest egg, smoke more, exercise less, and are more likely to be obese.

{ Discover | Continue reading }

Did he depict the scene verbally for his guest to see?

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Epicurus himself, while dismissive of the claims of all religions, was no “luxurious sensualist.” Known for the simplicity of his life, he was born on the Greek island of Samos in 341 BCE, studied philosophy in Athens with a disciple of Plato’s and eventually founded a school of his own there, over which he presided until his death, in 270. Breaking with the Idealism of Plato, his thought, influenced by the Atomism of Democritus, was thoroughly materialistic in its description of the universe and — though its starting point was quite different — similar in many of its conclusions to that of the Stoics. The physical world, he held, was all there was and was composed of differently shaped atoms whose various combinations formed all matter; there were no divine laws or divine rewards or punishments for human actions, and hence no moral codes that human beings were obliged to obey. The only rational goal was to live life as pleasurably as possible.

And yet, Epicurus wrote: “When we say that pleasure is the end and aim, we do not mean the pleasures of the prodigal or the pleasures of sensuality, as we are understood to do by some through ignorance, prejudice or willful misrepresentation. By pleasure we mean the absence of pain in the body and of trouble in the soul. It is not an unbroken succession of drinking bouts and of revelry, not sexual lust, not the enjoyment of the delicacies of a luxurious table, which produce a pleasant life…. We cannot live pleasantly without living wisely, honorably, and justly, nor live wisely, honorably, and justly without living pleasantly.”

{ The Jewish Daily Forward | Continue reading }

Which various features of the constellations were in turn considered?

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A couple of years ago, I was asked to give a talk about “The American Novel Today.” It wasn’t my first choice of topic, frankly, partly because I read as few contemporary novels as possible, partly (here we get into cause and effect) because most of the novels that get noticed today (like most of the visual art that gets the Establishment’s nod) should be filed under the rubric “ephemera,” and often pretty nasty ephemera at that. I do not, you may be pleased to read, propose to parade before you a list of those exercises in evanescence, self-parody, and general ickiness that constitute so much that congregates under the label of American fiction these days. Instead, I’d like to step back and make some observations on the place of fiction in our culture today, A.D. 2012. It is very different from the place it occupied in the 19th century, or even the place it occupied up through the middle of the last century.

We get a lot of new novels at my office. I often pick up a couple and thumb through them just to keep up with what is on offer in the literary bourse. The delicate feeling of nausea that ensues as my eye wanders over these bijoux is as difficult to describe as it is predictable. The amazing thing is that it takes only a sentence or two before the feeling burgeons in the pit of the stomach and the upper lip grows moist with sweat. (…)

I do not deny that there are good novels written today. I think, for example, of the spare, deeply felt novels of Marilynne Robinson, especially Gilead, her quiet masterpiece from a few years back. It might even be argued (I merely raise this as a possibility) that there are as many good novels being written today as in the past. It is sobering to reflect that between 1837—when Victoria ascended the throne and Dickens’s first novel, The Pickwick Papers, was published—and 1901—the year of Victoria’s death—some 7,000 authors published more than 60,000 novels in England. How much of that vast literary cataract has stood the test of time?

{ Roger Kimball/Weekly Standard | Continue reading }



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