Give us that brisket off the hook. Plup.

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The most disturbing thing that ever happened at the Ueno Zoo was the systematic slaughter of the garden’s most famous and valuable animals in the summer of 1943. At the height of the Second World War, as the Japanese empire teetered on the brink of collapse, the zoo was transformed from a wonderland of imperial amusement and exotic curiosity into a carefully ritualized abattoir, a public altar for the sanctification of creatures sacrificed in the service of total war and of ultimate surrender to emperor and nation. The cult of military martyrdom is often recognized as a central component of Japanese fascist culture, but events at the zoo add a chilling new dimension to that analysis. They show that the pursuit of total mobilization extended into areas previously unexamined, suggesting how the culture of total war became a culture of total sacrifice after 1943. […] The killings were carried out in secret until nearly one-third of the garden’s cages stood empty, their former inhabitants’ carcasses hauled out of the zoo’s service entrance in covered wheelbarrows during the dark hours before dawn.

{ University of California Press | PDF }

This unprecedented ceremony known as the “Memorial Service for Martyred Animals” was held on the zoo’s grounds where nearly a third of the cages stood empty. Lions from Abyssinia, tigers representative of Japan’s troops, bears from Manchuria, Malaya and Korea, an American bison, and many others had been clubbed, speared, poisoned and hacked to death in secret. Although the zoo’s director had found a way to save some of the condemned creatures by moving them to zoos outside Tokyo, Mayor Ōdaichi Shigeo insisted on their slaughter. Ōdaichi himself, along with Imperial Prince Takatsukasa Nobusuke and the chief abbot of Asakusa’s Sensōji Temple, presided over the carefully choreographed and highly publicized “Memorial Service”, thanking the animals for sacrificing themselves for Japan’s war effort.

{ The Times Literary Supplement | Continue reading }

art { Ito Shinsui, After the bath, 1917 }