Caoutchouc statue woman reversible or lifesize tompeeptom of virgins nudities very lesbic the kiss five ten times

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Mr. Wesselmann, who disliked the term Pop, chafed at being the only major artist of the Pop generation not honored with a museum retrospective in his lifetime. […]

“Wesselmann is a little bit under the radar for no good reason, because he certainly was one of the real innovators in the whole movement,” said Lucy Mitchell-Innes.

{ NY Times | Continue reading }

art { Tom Wesselmann, Smoker, 1 (Mouth, 12), 1967. Oil on canvas, in two parts. | Tom Wesselmann, Study for Great American Nude #90, 1966. Liquitex on paper. }